“These earrings originate in an intervention in two old English prints. The images show quite conventionally gendered scenes, where men and horses are displayed in an outdoor competition activity. The intervention in the images is a comment on some behavior and cultural codes. This intervention is made with materials and references to jewellery and embrodery work, in an intentionally femenine manner.
The relation to the body is unfold in different stages. There are bodies represented in the prints, there is the body who was crafting the print, there is the body looking at the image, there is the wearer’s body. The wearer is provided with a choice: to wear the gold ring with or without the print attached to. This second option creates a quite uncomfortable or strange experience, of course. When the gold ring earrings are weared without the image, they are almost imperceptibles, only carring the weigth of the remembrance of the related image. The mental trace of a jewellery scene. What matters?”