parties under bridges. On the excessive plural
The starting point of this work has been a kind of enchantment before two arising elements which kept me fascinated. Now, what I now try to do is going a bit further beyond this so powerful presence. As a sort of a projection, an excessive reflex, new corporeal pieces appear.
They grow as a kind of three-dimensional unfolding of this formula: 1 + 1 = 3. This excess applies either to their shape, volume or colour. Also, the material and the finishing out of the pieces tell about real or fake shine and gold.
gemma draper, Fall 2008
